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Only when Jack Black marched into her office and demanded she make up her mind — either make it or let it go in turn around — did she reluctantly agree to make it.
Now she says in .” They were in hysterics down on the set in Mexico [when they heard] that.
I guess there’s always the possibility that some contender might be weakening in some way that I’m not feeling or discerning, but I doubt it.
She has motives for saying what she’s saying, obviously, but who doesn’t?
You can half-tell she’s credible by the insider-sounding information and her down-to-it prose style, but I wanted to make sure of this and now I’m 98% certain she’s legit. “The other problem is that which Thompson refers to as ‘honesty.’ I refer to it as insensitivity, rudeness, and an unexamined loathing that lurks just under the surface when she deals with artists.
The letter-writer feels that Thompson’s “flattering portrait of Gail Berman is quite one sided…towards Gail. “Instead of learning the medium and the people she is to work with she comes in with zero experience and proceeds to rip projects apart that have been in development for years with no sensitivity to all involved.
“The problem with Gail Berman is that not that she is overwhelmingly honest or intelligent or forthright, which are admirable qualities when used well. Ask Stacey Snyder or Nina Jacobson or any of the other women who are running studios the same question, and they will talk for an hour about the first time they saw a film. No sense that she may want to work with these people again. Her cruelty to artists, her disrespect and ignorance of their body of work, her padding of her own resume…her need to use her power in unrelenting ways and then if you dislike her mask it behind ‘directors and agents are sexist’…that is the problem.